In the miso Soup
Ryu Murakami
English Edition (c)2003 Ralph McCarthy
Publisher: Kodansha International
This is my first Ryu Murakami book and the story is about a sex tour guild taking an overweight American tourist through the Tokyo sex industry.
A day earlier there was a report in the newspaper of a "Compensated Dating" school student (aka high school dates older men for money, sometimes they shag for more money) murdered and cut into sections. There are no leads. Kenji, our tour guide, is shocked and disturbed by this murder. Maybe because his girlfriend used to do "Compensated Dating" before they met.
Kenji meets Frank and is hired to take him around the sex industry. Frank is different to all the other tourists Kenji has guided. Frank has a dark side to him and we are given brief glimpses of this whenever the character is angered -- but the face disappears quickly. He can also hypnotise people at will. And does, when he sends Kenji outside of a bar to talk with his GF outside.
Kenji returns to find a scene of absolute horror and for the horror and gore lover inside me, it was the best scene out of this book. But the scene did go on for a very long time and for several pages.
If you are expecting a horror novel, or a Hollywood type of book like Dan Brown with daggers, then you will be disappointed. This is a very Japanese book but it capture the social structure of Japan during the late 90's and possible still going on today.
76%
I do star ratings now. Mostly Audio Book reviews recently. I will at times add a paperback review. Looking for a review? Send me an audio book. Genres: thriller, crime, horror, science fiction, (maybe) fantasy. ********************************************* Are you a reviewer? Interested in joining this blog? Find me on X ( @threeand10 ) You will not get paid. Work for love. Or just share your opinion on books. Books are great.
Sunday, 16 October 2011
Saturday, 3 September 2011
Full dark No Stars
Full Dark no Stars
Stephen King
2010 (c) Stephen King
Paperback edition with bonus story
Publisher: Hodder
A friend lent me this book as I've kind of lost interest in what King writes recently. But I'm glad I cracked the covers of this tome. It contains 4 long stories and one short bonus. None of the stories are horror but they are engaging.
1922 kicks off this collection and it is the story of a father and a son--a son in love with the neighbour's daughter. The story starts off with the killing of the father's wife. We get a glimpse into a woman who hates the farming life and wants to live in the city. Father and son do not. The wife's inherits 100 acres of land and father wants to add it to his 80 acres and farm it. The wife not impressed with this intends to sell the land to the highest bidder, which so happens to be a slaughter farm. Father convinces son to help him do away with the wife and concocts a cunning plan.
Deed done and the son is never the same again. He gets the girl next door pregnant and intends to marry her. The girl's father won't agree and he sends his daughter to a nunnery where they assist the girls in giving birth and putting the child up for adoption.
One day the son leaves a note for father and travels to the city to be with his love. The story is told through the eyes of father and this is the best story in the bunch and should be made into a movie. It would rock harder as a film, if it is done right.
The next story is Big Driver. It is basically a revenge story. Her reasons for revenge aren't as believable in today's world, but King entwines a great plot with flowing words you'd be sucked into the world and won't want to close the pages.
A Fair Extension is an awesome story. A man riddled with cancer makes a deal with a plump little man. But be warned it isn't your standard 'deal with the devil' story. I like King's take on this old tale.
A Good Marriage bored the crap out of me. Basically a wife stumbles onto a box in the garage that shows her husband to be someone he's not. A well told story but just not to my taste.
The bonus story: Under the Weather is neat. I liked it and King hid the twist quiet well.
73%
Stephen King
2010 (c) Stephen King
Paperback edition with bonus story
Publisher: Hodder
A friend lent me this book as I've kind of lost interest in what King writes recently. But I'm glad I cracked the covers of this tome. It contains 4 long stories and one short bonus. None of the stories are horror but they are engaging.
1922 kicks off this collection and it is the story of a father and a son--a son in love with the neighbour's daughter. The story starts off with the killing of the father's wife. We get a glimpse into a woman who hates the farming life and wants to live in the city. Father and son do not. The wife's inherits 100 acres of land and father wants to add it to his 80 acres and farm it. The wife not impressed with this intends to sell the land to the highest bidder, which so happens to be a slaughter farm. Father convinces son to help him do away with the wife and concocts a cunning plan.
Deed done and the son is never the same again. He gets the girl next door pregnant and intends to marry her. The girl's father won't agree and he sends his daughter to a nunnery where they assist the girls in giving birth and putting the child up for adoption.
One day the son leaves a note for father and travels to the city to be with his love. The story is told through the eyes of father and this is the best story in the bunch and should be made into a movie. It would rock harder as a film, if it is done right.
The next story is Big Driver. It is basically a revenge story. Her reasons for revenge aren't as believable in today's world, but King entwines a great plot with flowing words you'd be sucked into the world and won't want to close the pages.
A Fair Extension is an awesome story. A man riddled with cancer makes a deal with a plump little man. But be warned it isn't your standard 'deal with the devil' story. I like King's take on this old tale.
A Good Marriage bored the crap out of me. Basically a wife stumbles onto a box in the garage that shows her husband to be someone he's not. A well told story but just not to my taste.
The bonus story: Under the Weather is neat. I liked it and King hid the twist quiet well.
73%
Sunday, 24 July 2011
The Armageddon Shadow (reviewed by Scary Minds)
Review “You’re going to hell, Henry.” - Baxter
Agent Baxter and his team from a secret Government organisation are tasked with apprehending and destroying an ancient evil know simply as Darkness. They almost achieve their target but are thwarted at the last moment by a gun wielding discipline of Darkness. The Evil naturally escapes and proceeds with a plan to infect the citizens of Wellington, New Zealand's capital city, with a virus via licking victim's eyeballs. Darkness believes he will be undefeatable with an army gradually growing in strength. Arrayed against Darkness are Agent Baxter and three ancient beings of light who emerge as things get desperate.
An attack on a secret Government research facility further complicates matters, as a chemical released by the attack spreads over Wellington bringing the dead back to life. Naturally the reanimate dead have a hunger, a hunger for living human flesh. Can Agent Baxter survive the undead long enough to defeat Darkness, or will New Zealand plunge into the Abyss?
You know what I find strange? That unknown Author you have been following and mentioning at dinner parties suddenly has three published novels behind their name and is well known in dark genre circles, thus lowering your innovative street cred as everyone has suddenly heard of them. While grooving to Lee Pletzers' latest, The Armageddon Shadow, I was interrupted on a train by another commuter asking if I had read the “awesomely good The Last Church”! Sigh, our Authors grow up so fast and are suddenly out in the big bad world! Which kind of just points out we're at the end of our “early works of Lee Pletzer”, when does an Author become an “established” author anyways?
To the novel at hand kids, The Armageddon Shadow is distinctly Pletzer, with an ancient event influencing current events to the detriment of all. In this case Darian, back in days of yore 27 B.C, lead a rebellion against his overlords after the murder of his wife and child. Naturally the rebellion failed with hundreds dead on both sides, and the overlords, three “Elders”, executing Darian in pretty dramatic fashion. Clearly none of the Elders had ever read an Eerie comic folks, they drowned Darian by burying him neck deep in the sand and letting the incoming tide do the work. Still seeking revenge for his family Darian called upon the help of god, got no answer, and then immediately had more success with the other side. Some time later Darian dragged himself out of Hell and into the modern world as the ancient evil Darkness. We also pretty quickly find out the Elders are beings of light, so yes the novel sets up a clash between the forces of good and the forces of darkness in time honoured dark genre fashion.
Of course the clash of light and dark is something of a trope and easily dismissed as yet another pulp novel, but Pletzer stirs in a couple more ingredients to present a hearty stew that isn't so easy to pass over. Agent Baxter and his colleagues present a far more modern adversary to Darkness, and while we may have some sympathy (more on this later) for the reincarnation of Darian in regards to the Elders, we certainly don't from the viewpoint of Baxter and his diminishing crew. Baxter is faced with ultimate evil and an attempt to kick start human evolution, if you want to call it that, but under the draconian hand of Darkness, which ironically mirrors exactly what Darian was fighting back in 27 BC. Ultimate power corrupts perhaps? It's an intriguing theme Author Pletzer is tracking down here. And just in case you are getting complacent over there, after the destruction of the Government research facility a purple mist is released which descends on Wellington reanimating the victims and combatants of the ultimate Good v Evil smack down as flesh craving zombies. So not only do you get a sort of Angels v Demons thing happening but you also get the added bonus of zombies, and wonderfully Pletzer gives his undead at least rudimentary thought processes. Try computing all that with a couple of minor characters who appear to be more than simply set pieces on Pletzer's literary chess board. It's an involving novel that will keep you entertained from first to last page.
Right from the first page the Author gets the pace moving at a hectic run and doesn't allow things to drop off as the tension escalates. Pletzer gives enough background to get you fully in the picture without overstaying his welcome or letting his pace dissipate at any stage. There's a number of mysteries to be solved and the Author deals out the details at a measured clip keeping the reader glued to the page. The novel is left open ended so thankfully we might just get a sequel in due course as the eternal battle, and that slight zombie issue, get resolved in a future book. For those wondering, no The Armageddon Shadow is pretty much an enclosed yarn, so no you aren't left with a cliff hanger waiting to be sorted.
A couple of slight issues I had with the novel, and by slight I mean nothing the constant reader should concern themselves with, but something us anally retentive reviewer types tend to notice. The novel needed another edit, there's some clangers in places, (just like in this review no doubt), highlighting that using MS Word spell check doesn't clean everything. And I must admit to being a tad concerned about some of the descriptive passages that seemed slightly stilted. To be honest I believe Lee Pletzer can write a whole lot better prose but maybe as a Writer he got caught up in his narrative that under normal circumstances, say if one Stephen King tackled it, would be of epic length, hence things are slightly on the rushed side of the editor.
Before wrapping things up I should mention Lee Pletzer pulls off one of the more difficult jobs in modern literature, having a myriad of seemingly unconnected characters who eventually have an impact on the central narrative path. It takes a good Writer to make this device work, and Pletzers hits it out of the ball park with relative ease. Nothing feels like simply a device to get the plot where it needs to head, and more importantly the Author has the ability to work a number of different story lines into the central story without dropping the beat. Pletzer actually makes the device work for him, as we learn how widespread the infection has become by his divergent characters hitting their own personal battles with Darkness.
ScaryMinds Rates this read as ...
Wednesday, 6 July 2011
Alan Wake by Rick Burroughs
Paperback version
Tor publishing
(c)Microsoft Corp
(c) Remedy Entertainment
305 pages.
Alan Wake is a novel based on a game--one that I have not played, as I don't play games :). The story is about a writer suffering writer's block. He hasn't written anything in two years and not being able to do what he loves has made him quick tempered and angry all the time.
His wife, Alice, suggests they take a holiday in a small town in the Pacific Northwest. Almost upon arriving Alan is not happy. There was a creepy guy on the ferry over, Deerfest is about to begin and Alan picks up the key to their rental cabin from a weird woman dressed in black who wears a veil and stays in the shadows.
At the cabin, Alice has set up his typewriter just in case he feels like writing. The new surroundings might help him and there just happens to be a doctor in the town who specializes in helping artists. Alan looses his temper and storms out of the house. A moment later he hears Alice screaming. He runs back but she is gone.
Next minute he is in a car crash, and has lost a week of his life.
The novel is fast paced and written in an easy to read style. The story is plot based as it is a game and we get introduced to a host of interesting characters. There is no massive amounts of description and backstory which clogs up a lot of books. The area is lightly descriptive and the events taken place run fast.
The action is thick and runs fast for most of the book and in the large part this works for the type of tale being told and at other times it seems repetitive. I finished the book in two days and enjoyed it a lot. There is one massive error, which surprised me that it was missed. The end of chapter 16 has Wake about to open a door then chapter 17 starts with him talking to Barry and then opening the door. Something is missing and this really threw me out of the story--but not for long. I just accepted Barry was there.
I really liked the characters Tor and Odin. They were awesome. I wish I could have seen more of them. They stole the story with each scene they were in.
80%
Tor publishing
(c)Microsoft Corp
(c) Remedy Entertainment
305 pages.
Alan Wake is a novel based on a game--one that I have not played, as I don't play games :). The story is about a writer suffering writer's block. He hasn't written anything in two years and not being able to do what he loves has made him quick tempered and angry all the time.
His wife, Alice, suggests they take a holiday in a small town in the Pacific Northwest. Almost upon arriving Alan is not happy. There was a creepy guy on the ferry over, Deerfest is about to begin and Alan picks up the key to their rental cabin from a weird woman dressed in black who wears a veil and stays in the shadows.
At the cabin, Alice has set up his typewriter just in case he feels like writing. The new surroundings might help him and there just happens to be a doctor in the town who specializes in helping artists. Alan looses his temper and storms out of the house. A moment later he hears Alice screaming. He runs back but she is gone.
Next minute he is in a car crash, and has lost a week of his life.
The novel is fast paced and written in an easy to read style. The story is plot based as it is a game and we get introduced to a host of interesting characters. There is no massive amounts of description and backstory which clogs up a lot of books. The area is lightly descriptive and the events taken place run fast.
The action is thick and runs fast for most of the book and in the large part this works for the type of tale being told and at other times it seems repetitive. I finished the book in two days and enjoyed it a lot. There is one massive error, which surprised me that it was missed. The end of chapter 16 has Wake about to open a door then chapter 17 starts with him talking to Barry and then opening the door. Something is missing and this really threw me out of the story--but not for long. I just accepted Barry was there.
I really liked the characters Tor and Odin. They were awesome. I wish I could have seen more of them. They stole the story with each scene they were in.
80%
Sunday, 19 June 2011
O My Days by David Mathew
REVIEW of O My Days,
by David Mathew
Reviewed by Rob M. Miller writer/editor
Kindle Version.
http://omydays.weebly.com/index.html
Who the hell is David Mathew? One talented and brave writer out of the UK, that’s who. An accomplished name in the short story field that I’m hoping to see make a big splash in the States with his breakout novel O My Days (Triskaideka Books), a writer who’s literary and surrealistic savvy evokes thoughts of such dark fabulists as Conrad Williams and T. M. Wright.
Online, at the Urban Dictionary, “Oh my days” is defined as an expression used when in shock or in awe of something, when excited or surprised. But with Mathew’s book, the term’s more that of a lament—a decrying of a nightmarish situation, spiritually, mentally, physically, and geographically.
And why not? The book’s protagonist and storyteller, William “Billy” Alfreth, certainly has enough on his plate, being imprisoned at Delacotte’s Young Offenders Institute for a brutal crime caught on camera, an act—despite any film to the contrary—that went down totally different in Billy’s mind. Making matters worse, while being grilled by a visiting psychologist writing a thesis on “prison lingo,” Billy’s starting to lose it, with his estranged family, his girlfriend and baby, his money … and with time: chunks of time, unaccounted for, with only one possible horrific explanation. Things are coming to a head, and Billy’s going to get some answers. But in the looking, the price is going to be paid for in blood—lots.
The real pleasure, though, is not in Mathew’s plot, but in the story’s unveiling. There are books and there are books. Some are fine reading fodder, but in the end, are simply passable fares, not unlike fast-food, or perhaps ten- to fifteen dollar plates, meals enjoyed for what they are, but quickly forgotten. Then there are those “fine dining” pieces of work, books that force a reader to want to sit in an easy chair and sub-vocalize every word, skimming nothing. Works that pack the whole punch with story/setting/character and literary-value. In O My Days Mathews delivers a first-person tale written in authentic prison voice that challenges a reader (especially American ones) to savor every word, every line, every page. This is not a work to be skimmed. I call Mathew brave because the established tone and slow-burn pace of his novel is not the most easily accessible. Rather, his character- and diction-driven tone require a reader’s complicity … requires the reader to join William “Billy” Alfreth on his nightmarish journey of discovery. Not every reader will have the patience to do their part in the partnership that O My Days requires. What’s wonderful, however, is that for those that do, the payoff explodes in spades.
Last word on the subject, remember: "No one kicks off in the Cookery class." Now, if you really want to find out why, pick up and read O My Days by David Mathew. You'll be glad you did, bruv.
Rob M. Miller
Writer/Editor
Home page: http://robthepen.pigboatrecording.com
by David Mathew
Reviewed by Rob M. Miller writer/editor
Kindle Version.
http://omydays.weebly.com/index.html
Who the hell is David Mathew? One talented and brave writer out of the UK, that’s who. An accomplished name in the short story field that I’m hoping to see make a big splash in the States with his breakout novel O My Days (Triskaideka Books), a writer who’s literary and surrealistic savvy evokes thoughts of such dark fabulists as Conrad Williams and T. M. Wright.
Online, at the Urban Dictionary, “Oh my days” is defined as an expression used when in shock or in awe of something, when excited or surprised. But with Mathew’s book, the term’s more that of a lament—a decrying of a nightmarish situation, spiritually, mentally, physically, and geographically.
And why not? The book’s protagonist and storyteller, William “Billy” Alfreth, certainly has enough on his plate, being imprisoned at Delacotte’s Young Offenders Institute for a brutal crime caught on camera, an act—despite any film to the contrary—that went down totally different in Billy’s mind. Making matters worse, while being grilled by a visiting psychologist writing a thesis on “prison lingo,” Billy’s starting to lose it, with his estranged family, his girlfriend and baby, his money … and with time: chunks of time, unaccounted for, with only one possible horrific explanation. Things are coming to a head, and Billy’s going to get some answers. But in the looking, the price is going to be paid for in blood—lots.
The real pleasure, though, is not in Mathew’s plot, but in the story’s unveiling. There are books and there are books. Some are fine reading fodder, but in the end, are simply passable fares, not unlike fast-food, or perhaps ten- to fifteen dollar plates, meals enjoyed for what they are, but quickly forgotten. Then there are those “fine dining” pieces of work, books that force a reader to want to sit in an easy chair and sub-vocalize every word, skimming nothing. Works that pack the whole punch with story/setting/character and literary-value. In O My Days Mathews delivers a first-person tale written in authentic prison voice that challenges a reader (especially American ones) to savor every word, every line, every page. This is not a work to be skimmed. I call Mathew brave because the established tone and slow-burn pace of his novel is not the most easily accessible. Rather, his character- and diction-driven tone require a reader’s complicity … requires the reader to join William “Billy” Alfreth on his nightmarish journey of discovery. Not every reader will have the patience to do their part in the partnership that O My Days requires. What’s wonderful, however, is that for those that do, the payoff explodes in spades.
Last word on the subject, remember: "No one kicks off in the Cookery class." Now, if you really want to find out why, pick up and read O My Days by David Mathew. You'll be glad you did, bruv.
Rob M. Miller
Writer/Editor
Home page: http://robthepen.pigboatrecording.com
Monday, 23 May 2011
Home by Carson Buckingham
Home
By Carson Buckingham
Digital ISBN: 978-1-937179-72-4
Cover art by: Bob Freeman
Home by Carson Buckingham is a surprise read. It starts off a little clichéd with an old woman who reads fortunes. Thirteen years old Lucille Sullivan and Katie Kavanagh are at Madame Samedi's House of the Future; part of the Leight & Fogg Carnival. Katie isn't interested in getting her future told by Lucille is dead keen on it. Suffice to say, the reading is interesting.
...and it propels you into the lives of these two girls as grown ups. The book has a lull in the middle with a much needed back story and Katie's life as a battered wife with a coward of a husband. She finally escapes his grip as she attends her mother's and Aunt's funeral.
In the will, Madame Samedi's reading comes true. Katie has everything she could imagine and sets about calling a lawyer to arrange a divorce. Later that night she heads pacing in the room next to hers but she is tired and goes to sleep. The next morning flour is upturned and a word is written in there.
And then things get even more interesting. The ending is unseen, even for this trained reviewer and all was wrapped up nicely.
Carson's writing is smooth and flows nicely paragraph to paragraph. The book is well thought out and Katie is a well rounded character who believe herself to be going insane.
You'll have a good time with this book as I did and you will find it hard to put down -- as I did.
79%
By Carson Buckingham
Digital ISBN: 978-1-937179-72-4
Cover art by: Bob Freeman
Home by Carson Buckingham is a surprise read. It starts off a little clichéd with an old woman who reads fortunes. Thirteen years old Lucille Sullivan and Katie Kavanagh are at Madame Samedi's House of the Future; part of the Leight & Fogg Carnival. Katie isn't interested in getting her future told by Lucille is dead keen on it. Suffice to say, the reading is interesting.
...and it propels you into the lives of these two girls as grown ups. The book has a lull in the middle with a much needed back story and Katie's life as a battered wife with a coward of a husband. She finally escapes his grip as she attends her mother's and Aunt's funeral.
In the will, Madame Samedi's reading comes true. Katie has everything she could imagine and sets about calling a lawyer to arrange a divorce. Later that night she heads pacing in the room next to hers but she is tired and goes to sleep. The next morning flour is upturned and a word is written in there.
And then things get even more interesting. The ending is unseen, even for this trained reviewer and all was wrapped up nicely.
Carson's writing is smooth and flows nicely paragraph to paragraph. The book is well thought out and Katie is a well rounded character who believe herself to be going insane.
You'll have a good time with this book as I did and you will find it hard to put down -- as I did.
79%
Wednesday, 4 May 2011
Out by Natsuo Kirino
Out
Natsuo Kirino
Translated version by Stephen Snyder
IBSN: 9780099472285
Paperback: 520 pages
My wife has the Japanese version of this book. She told me it was very popular. Typically I ignored it. Then months later (almost a year later) I came across a post about the book and other people were saying they had the book as well. And they liked it. So, I thought, might as well buy it and I got a copy from the book depository.
Out is the story of four women who work in a lunch-box factory (making lunches that go to convenience stores) are put in a position to do the unthinkable and the other lives this one action affects.
A young mother, Yayoi, abused by her husband who has spent all their money including millions of yen in savings finally snaps and kills her husband. Not knowing what to do, she calls her friend Masako to help her. Misako has her own problems: her son doesn't speak--by choice--and her husband just wants to be alone. She agrees to help her friend and co-worker and enlists the help of two other friends; Kuniko and Yoshie. She decides the best thing to do is to cut the body into sections and drop it in a rubbish area.
All the women are struggling to make ends meet, they have debts, especially Kuniko, whom apart from wearing fake brand products is also fat and lazy and always looking for the easy way to do something. Yoshie is looking after her bed-ridden mother-in-law (husband is deceased), her house is an old wooden building with an earthen floor entrance. She has two daughters, one eager to enter high school (if mum can find the money) and the other a single mother who drops off her child to go look for work and returns weeks later and steals all the cash Yoshie has saved up.
The book has some horrific moments which I enjoyed. There are a host of characters in the book and most are delicately balanced on the thin line of morality. The writing is strong and flows smoothly, it's also addictive to read about these characters and learn over time how they are all drawn together.
The only drawback of this book is the final chapter where it is told from one POV and the next section is the same chapter from another POV. And the Stockholm syndrome is sudden and unexpected and unbelievable.
Have I ruined the ending? Hell no. The ending is fast, violent and exciting. This book has won several crime fiction awards but I feel it is more a thriller than anything else. People unfamiliar with Japan's culture, lifestyle and thinking patterns may find the actions of four women and the business that results from it a tad on the heavy/unrealistic side but living here and understanding the way things are makes the actions in this book highly possible.
This book has a touch of everything, lonely housewives, abusive husbands, hookers, hostesses, ex-gang members, Yakuza, murder and the brilliant thing is, Natsuo Kirino blended them all together into the backdrop of the story, making it feel like a daily part of life in Japan but it all ties in.
A brilliant and enjoyable read.
82%
Natsuo Kirino
Translated version by Stephen Snyder
IBSN: 9780099472285
Paperback: 520 pages
My wife has the Japanese version of this book. She told me it was very popular. Typically I ignored it. Then months later (almost a year later) I came across a post about the book and other people were saying they had the book as well. And they liked it. So, I thought, might as well buy it and I got a copy from the book depository.
Out is the story of four women who work in a lunch-box factory (making lunches that go to convenience stores) are put in a position to do the unthinkable and the other lives this one action affects.
A young mother, Yayoi, abused by her husband who has spent all their money including millions of yen in savings finally snaps and kills her husband. Not knowing what to do, she calls her friend Masako to help her. Misako has her own problems: her son doesn't speak--by choice--and her husband just wants to be alone. She agrees to help her friend and co-worker and enlists the help of two other friends; Kuniko and Yoshie. She decides the best thing to do is to cut the body into sections and drop it in a rubbish area.
All the women are struggling to make ends meet, they have debts, especially Kuniko, whom apart from wearing fake brand products is also fat and lazy and always looking for the easy way to do something. Yoshie is looking after her bed-ridden mother-in-law (husband is deceased), her house is an old wooden building with an earthen floor entrance. She has two daughters, one eager to enter high school (if mum can find the money) and the other a single mother who drops off her child to go look for work and returns weeks later and steals all the cash Yoshie has saved up.
The book has some horrific moments which I enjoyed. There are a host of characters in the book and most are delicately balanced on the thin line of morality. The writing is strong and flows smoothly, it's also addictive to read about these characters and learn over time how they are all drawn together.
The only drawback of this book is the final chapter where it is told from one POV and the next section is the same chapter from another POV. And the Stockholm syndrome is sudden and unexpected and unbelievable.
Have I ruined the ending? Hell no. The ending is fast, violent and exciting. This book has won several crime fiction awards but I feel it is more a thriller than anything else. People unfamiliar with Japan's culture, lifestyle and thinking patterns may find the actions of four women and the business that results from it a tad on the heavy/unrealistic side but living here and understanding the way things are makes the actions in this book highly possible.
This book has a touch of everything, lonely housewives, abusive husbands, hookers, hostesses, ex-gang members, Yakuza, murder and the brilliant thing is, Natsuo Kirino blended them all together into the backdrop of the story, making it feel like a daily part of life in Japan but it all ties in.
A brilliant and enjoyable read.
82%
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